Related Paintings of Auguste renoir :. | Paysage a Cagnes | Jeune garcon sur la plage dYport | Bather with Long Blonde | badet | Jeune garcon sur la plage d`Yport |
Related Artists:
James Augustus Suydam
(1819-1865) architect, lawyer, and artist; as an artist was considered one of the premier Luminism painters. He is widely known as an American landscape painter and one of the leading members of the Hudson River School. James Augustus Suydam was descended from an old New York Dutch merchant family. He graduated from New York University (then the University of the City of New York), and began his career as a businessman but turned a significant portion of his energies to painting, studying under famed artist and portrait painter Minor C. Kellogg. At the age of thirty he was elected to the Century Association. One of the "regulars" who gathered to paint at North Conway, New Hampshire, he exhibited Conway Meadows at the New York Athenaeum and Boston Athenaeum. He opened his studio at the noted 10th Street Studio Building, New York City, in 1858. The following year he was elected an honorary professional member in the prestigious National Academy of Design, which granted him full membership in 1861. He died suddenly in North Conway at the age of 46. James Suydam was described by his friend, the accomplished artist Sanford Robinson Gifford as a "thoroughly educated and accomplished man. " In addition to his work as an artist, which he began only after working in law and architecture, he was widely read and well-versed in history, philosophy, and the sciences. His work as a landscape painter reflects this breadth of knowledge and reveals Suydam as a deeply spiritual individual. Using his familiarity with science, Suydam reduced nature to calm, clean, planar forms, and then distorted proportional relations so that God's creations loomed superior over the work of man. The National Academy has most of his works such as Paradise Rocks (1865), and the Taft family's Taft Museum also holds works. The Taft also has a podcast website for this artist. A painting of Gifford's from 1859 which Suydam, according to a report, "donated to the [National] academy in 1865," became the subject of a deaccession controversy at the Academy in late 2008.
Abraham van den Tempel
(1622?C1672) was a Dutch Golden Age painter. He probably learned painting from his father, also a painter, but who died when he was still quite young, in 1636. That is the same year that he moved to Amsterdam, where he stayed until 1647, whereupon he moved to Leiden. According to Houbraken he was the son of a Mennonite preacher in Leeuwarden who was a respected art teacher. His father was Lambert Jacobsz (or Jacobszoon), who had taught Govert Flinck and Jacob Adriaensz Backer in their youth, both of whom were artists from Mennonite families. Abraham took the name Tempel because when he studied in Leiden, he lived in a house there with a relief of a Tempel in the keystone. He became a pupil of Jacob Backer, and studied mathematics at Leiden University. He met with great success with the Leiden city council, earning several generous commissions, including a series of three large allegorical paintings on the cloth industry of Leiden for the Cloth Hall which still hang in their original place today in the Stedelijk Museum De Lakenhal. Sir William Davidson of Curriehill, Conservator of the Cloth Staple at Veere (with his son Charles), 1664.He became master of the Guild of St. Luke in 1657 and in 1659 he was chartermaster. In 1660 he returned to Amsterdam. His pupils were Frans van Mieris the Elder, Carel de Moor, Michiel van Musscher, Ary de Vois, and Isaac Paling
George Brandriff
1890-1936